Before OK
Kanmani released, there was a lot of talk about the film being a possible
throwback to Mani Ratnam’s Tamil classic Alaipayuthey (remade in Hindi as
Saathiya). OK Kanmani does borrow certain situations from Alaipayuthey, but has
a soul of its own.
In a scene
reminiscent of Alaipayuthey, Aadi (Dulquer Salman, son of actor Mammootty) and Tara (Nithya Menen) meet at a friend’s wedding and the
sparks fly instantly. Their light-hearted banter about why marriage is not for
them sets the tone for their story to unfold. They exchange cell numbers in a
characteristically American way and what follows are some
guy-chasing-girl-trying-to-woo-her scenes which seem a bit outdated in the
present scenario where urban youth no longer feel the need for the stalking /
chasing game to win over their loved one.
The depiction of
Aadi and Tara as two independent individuals with career aspirations of their
own resonates with today’s youth who know exactly what they want and are ready
to pull out all stops to achieve their goals. Aadi’s affection for the
free-spirited Tara is endearing and one can only hope more Indian men are able
to celebrate the growing assertiveness and independence of women.
Tara is frank
about her personal life with her controlling mother (a single parent) and
confronts her about her interfering ways. However, it is disappointing to see
Aadi trying to hide facts from his father-figure like brother who is termed as
a ‘control freak’. When Aadi’s sister-in-law finds out about him and Tara
living in, an interesting exchange takes place privately between her and Tara.
Nithya Menen uses her body language particularly well in this scene and conveys
her character’s nonchalance effectively. I only wish Mani Ratnam had included
more such situations in the film bringing out the strong-headed nature of the
protagonists, being judged by their families and society for their life choices.
The co-existence
of Aadi and Tara in Aadi’s paying guest accommodation has been shown in a
feel-good manner. The sweet moments interspersed with Rahman’s fantastic songs
take you into their dreamy world. The setting of two young working individuals
living together as a couple has the potential for ups and downs caused by
various factors such as lack of time, work pressure, personality clashes,
annoying daily habits. Unfortunately, this not-so-dreamy part of living
together has not been explored much, and it comes as a surprise considering
Mani Ratnam’s mastery in the portrayal of conflict in his other movies (like
Alaipayuthey)
Mani Ratnam more
than makes up for these flaws in the script with a masterstroke. He has
juxtaposed Aadi and Tara’s life with that of a much older married couple that
exemplifies true love and commitment in the face of old age and ill-health. The
beauty of it is in the subtlety with which the older couple’s interactions are
shown, sure to get most people watching the movie teary eyed. The fieriness of
the young couple contrasted with the soothing presence of the older couple is
what makes this film click.
A lot has
already been written in the media about the exquisite cinematography, music and
performances. Go watch it.